Writing in the late ’70s, Lasch distinguished modern narcissism from old-fashioned egotism. The contemporary narcissist, he wrote, differs “from an earlier type of American individualist” in “the tenuous quality of his selfhood.” Despite “his occasional illusions of omnipotence, the narcissist depends on others to validate his self-esteem.” His innate insecurity can only be overcome “by seeing his ‘grandiose self’ reflected in the attentions of others, or by attaching himself to those who radiate celebrity, power and charisma.”
This is a depressingly accurate anticipation of both the relationship between Weiner and his female “followers,” and the broader “look at me! look at meeeee!” culture of online social media, in which nearly all of us participate to some degree or another.
Facebook and Twitter did not forge the culture of narcissism. But they serve as a hall of mirrors in which it flourishes as never before — a “vast virtual gallery,” as Rosen has written, whose self-portraits mainly testify to “the timeless human desire for attention.”
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